Blog

Welcome to Harrogate Photography’s blog where there will be a variety of posts showcasing different aspects and genres of photography. It wouldn’t be Harrogate Photography if there weren’t also photos of Live Music Photography

Deer Stock Festival 28th July to 30th July 2023

Deer Stock family festival welcomes it’s revellers for the second year in a row. Familiar faces return to enjoy the weekends festivities. I’m Not From London return with their stage stacked with a fantastic line up.

The Beard Gees were not only full of facial hair but they were harmonious with their covers of the classic Bee Gees. Everyone could sing along and enjoy the all of the familiar songs. This was a first outing for the cover band. Lets hope there are more Beard Gees gigs in the future.

Dr Feel Good graced the Deer Stock stage to enthral the audience with their classic songs energy and rawness. It was an amazing band to end the Friday night, what a way to kick off the weekend.

As always there are loads of activities and stalls to be enjoyed at the festival.

Dr Feel Good

Deerstock Festival 2022

28th July to 31st July

Project Zeus

This is the first Deerstock Festival post Covid 19. The pandemic is a distant memory that feels like a dream/nightmare. The music industry is returning to it’s new normal. The Deerstock family chose not to return in 2021, so it makes it extra special to see the festival make a return with I’m Not From London and the many volunteers and bands that help to make this charity, family friendly event happen. It is great to see familiar faces from previous festivals and catch up with everyone after the forced hiatus. Deerstock is brought to you by festival goers for festival goers, this makes it a very special experience. Each and every person at the event are friendly and welcoming, all ages, young and old are present, enjoying the festivities. Here’s to many more Deerstock Festivals to come.

Young Knives Brudenell Social Club

30th November 2021

The Brudenell Social Club began the night low in numbers and quiet, the crowd stood a long way from the front of the stage while Wesley Gonzalez performed. Maybe it was a Tuesday night and everyone was taking a while to get out of work mode and get into the full antics of the evening. Wesley Gonzalez is a natural performer and has a great stage presence as he moves energetically and dramatically around the stage and he wanders into the crowd ramping them up and getting them involved. Gonzalez concludes their set with ‘Man Of The People’ both written and performed by headliners Young Knives.

Young Knives introduced themselves to the stage as if they were doing a voiceover for a Hollywood film trailer. Young Knives were witty and encouraged the crowd to get nearer and nearer the stage. Slowly they edged forward, looking a bit tentative as to what was going to happen. 

Young Knives entered the stage and took to their places Henry Dartnell Guitar and Vocals, Thomas Bonsu-Dartnell – also known as House of Lords, Vocals, Guitar and Keyboards; and Silke Blansjaar drummer. Henry Dartnell immediately commented about how great it is to tour and see live audiences again after everything that has been going on, he was light hearted about it but the message was clear that it means a lot to the band and the fans.

The Indie Rock trio soon demonstrate their raucous and nuanced sounds with Henry thrashing his guitar around whilst dressed in a robe that can be likened to a monk on day release from a monastery. It is a unique look that strangely works with his long hair and beard, not many can carry this off.

‘Barbarians’ kicks the show off with bouncy heavy uplifting musically in contrast to bleak lyrics. The song is inspired by the loss of the aboriginal Tasmanian population at the hands of the arrival of European settlers. Barbaric behaviour can be attributed to both the Europeans and the aboriginal Tasmanians as they both perceive the other to be barbaric in their own way. 

Young Knives take you on an adventure with their new and old music, one thing is for sure they are quirky and not afraid to break the mould with each song on the set list. Young Knives challenge issues past and present with their song writing and their harmonies are perfectly timed and this makes every song standout and choruses are immediately catchy.

At various points throughout the night an alarm goes off when the venue has too much fog from the machines. At first the band were laughing and joking about it. Just when everyone thought they were safe it would go off again. This didn’t stop band from going full throttle and the crowd from enjoying the night but it made it harder to hear the introductions in-between songs.   

The crowd felt they were able to lose their inhibitions as they pressed forward and started dancing full pelt not caring what it looked like, this was great to see as the band were putting everything into their performance. They couldn’t have done more as they left everything on stage. 

Henry serenaded the fans whilst wearing an illuminated tyre while walking amongst the crowd, it wasn’t immediately clear as to why this was taking place but it made everyone pay attention and possibly think how odd this is to see. 

The show finished with ‘Turn Tail’ and ‘Part Timer’ fans were excited to hear their earliest work, and they cheered loudly and got stuck in throwing shapes on the dance floor as they sang back to the band. 

I have no doubt that Young Knives will carryon being spectacularly odd, pushing boundaries and challenging issues with intense lyrics, heavy, upbeat sounds and harmonies that will take you on a bizarre and enjoyable journey.  

Sea Girls – O2 Academy Leeds

20th October 2021

The Indie Rock Band Sea Girls twice postponed show, finally arrived at Leeds to showcase debut album ‘Open Up Your Head.’ The anticipation started way before Coach Party took to the stage to warm up the audience. Coach Party punchy punk anthems and hip-hop inspired Nirvana’s cover of ‘In Bloom’ got the audience jumping. 

The audience were pumped and excited to finally get to see Sea Girls and the build up in the atmosphere was electric. You could feel the vibes from the audience as the lights dipped low and smoke filled the stage. One by one Henry Camamile (Lead Vocals, Guitar), Oli Khan (Drummer), Andrew Dawson (Bass), Rory Young (Lead Guitar) acknowledging the crowd and waving, the crowd erupted and cheered louder. 

Sea Girls kicked off the show with ‘Call Me Out’ and the crowd almost sounded louder than Henry Camamile as they sang along with their arms outstretched looking like they were trying to get closer to touch Henry who was stood centre stage. Fans could be seen with their homemade banners wanting Andrew Dawson’s pick or Oli Khan’s drum stick. As the show progressed the crowd were moshing in the middle of the dance floor. 

The four piece band match the energy of the crowd and continue the show with track ‘Violet’ Rory Young is non stop throughout the show doing high kicks a martial artist would be proud of and he continues to bounce around the stage head-banging. 

‘Closer’ is the next song on the set list which has the fans singing all of the woo woo woo’s in the chorus and they began to harmonise as the song went along. 

As the show continued it was clear the fans knew every single word from the album ‘Open Up Your Head,’ the last 18 months has been spent memorising all of the songs as well as copying Rory Young’s guitar lines.

Sea Girls introduced new songs from their new album ‘Homesick’ to be released in January 2022. The song ‘Lonely,’ was introduced by Henry Camamile as he asked the fans to copy his line to the chorus. The fans didn’t need to be asked twice as they immediately copied his vocals including tone and inflection as they elongate the word lonely. The rest of the band kick in while the fans listen to the song only to join in again as the chorus begins.

During ‘Damage Done’ Henry jumped off stage and stood at the front of the barrier being supported by two people who held him as he high fived the fans and listened to the fans singing back to him.  

After the song ‘All I Want To Hear You Say’ Sea Girls and fans alike were in full flow and enjoying every last second as Henry announced it was the last song. The band walked off stage to chants of more. The lights remained low and the chants continued. Henry returned to the stage alone singing a solo ‘You Over Anyone.’ Fans cheered his return and soon quietened down to hear him sing and were captivated by his performance. 

The show ended with the final song of the evening from new album ‘Sick’ Henry lists a number of things that have pissed him off even things that he used to love. It is a reminder of the many lockdowns when the track was made and how you can get into a negative headspace. Henry has a different perspective and showing new beginnings not only for him but for the band as well. Every fan out there are excited for the album to drop and can’t wait to hear every single song on their next tour.

Mason Hill – Key Club Leeds

3rd October 2021

Mason Hill is a band to keep an eye out for as they begin to rise and make a big name for themselves. Mason Hill is currently on an extended tour of the UK with their debut album Against The Wall with no small feat of cracking the UK top 20. This is the first time since Greta Van Fleet in 2018 and the first Rock debut album since Royal Blood in 2014. I feel this is a sign of what is yet to come as Mason Hill continues to build momentum with their hard working ethic. 

The crowd had already been whipped up into a frenzy by both Empyre and Hollowstar.  Everyone was enjoying being at a live gig again and the bands wanted to celebrate this moment and savour it as so many people haven’t been able to enjoy live music for the best part of 18 months. The build up only made everyone want to see Mason Hill perform their set.

The young Scottish quintet band Mason Hill came straight out of the blocks arriving on stage and throwing themselves straight into their gig. The band comprises of Scott Taylor (Lead Vocals), James Bird (Lead Guitar), Marc Montgomery (Guitar), Matthew Ward (Bass) and Craif McFetridge and their songs spoke loudly about self-belief, courage, brotherhood and grit and determination, these are all the elements you need in times like this having lived through a pandemic. Here is a band that people can relate to as their words resonate powerfully through their performance. The energy of the band never stops throughout the performance and only intensifies as the gig was beginning to draw to a close.

Mason Hill have a diverse range of music from the punchy heavy rock riffs to light, slow ballads. The songs don’t all sound the same and each song moves you onto the next story and each band member with their individual characters portrays it. 

‘Against The Wall’ as an album the band have wanted to release for several years the band has had a 7 year distillation period with their experiences and challenges, with Covid 19 in the mix and when all combined together you get a seductive and inviting opening notes. You are spellbound with the track Reborn that kicks off the show and finishes with the lyrics ‘No more pain, I feel reborn.’ This is clearly an indication that the band is setting the tone of what is to come.

‘No’ Regrets is second to appear on the set list and doesn’t let you down as the track is heavy on determination and to succeed through difficult times with the lyrics of ‘Don’t let the bastards grind you down’ this is particularly powerful when you are faced with difficult times. Mason Hill is an example of overcoming adversity and releasing an album in a pandemic, unable to tour and still made it in the top 20. 

‘DNA’ vibrates the room with the heavy riffs, each of the band members seem to take on a manic persona as they thrash and move about the stage engaging the crowd to get hooked on the chorus. The song spoke heavily about being stuck on something so much that it is a part of them.

Later in the show Mason Hill covered Best of You by Foo Fighters, this was a symbol of lockdown for Mason Hill as they continued with their social media presence and ‘Best of You’ took off in a big way with their fans. The audience was split into two and were asked to sing the loudest, everyone got behind this and joined in as loud as they could muster.

The show ended with ‘Where I Belong’ with the lyrics ‘I know who I am, and I know where I’ve been’ before Bird launches into phenomenal solo. The audience were well and truly captivated and didn’t want the show to end. 

The crowd naturally asked for more and the band stayed on stage for ‘Reprise Outro’ The audience were left sweaty, excited and buzzing after seeing Mason Hill perform an incredible show.  

My Journey Into Music Photography

Posted 28th June 2020

First Music Photo at Orb Community Arts

I have been doing photography on and off most of my life in some form, however, in 2010, I picked the camera back up and during this time I remember taking nothing but landscapes, as I found this very therapeutic to get out in the fresh air and have a good walk spotting landscapes I wanted to photograph. I still like to go out in the hills and take photos of sunsets during golden hour and staying out for blue hour and getting photos of the stars later in the evening. As I grew as a photographer I was starting to become interested in people and photographing them. Naturally starting close to home taking photos of family and friends, soon people started to take notice and I was getting requests for Christenings, weddings, family portraits and events. When I moved up to Harrogate in 2013, I volunteered at Orb Arts Enterprise, a mental health charity in Knaresborough. They do a fantastic job with adults in their local community who are experiencing mental ill health. I was very excited to be able to photograph their service promoting many different aspects of their day-to-day activities. During this time they were heavily involved in The Fever Festival where they showcased live music performers, artists and bands, all of which attended their service. I found my Nikon nifty 50mm f1.8 worked a charm for the lighting setup, this was the first time I had encountered such challenging lighting situation. I was very excited by this experience and I knew that I wanted to do more of live music events (first music photo above). Like most people I love music, I have 100’s of albums that I listen to. I think that you can’t beat live music performances, as there is great energy from the audience and the band. It is safe to say that this experience changed my thoughts about music photography forever. I had always admired photos of my favourite bands with their posters on my wall as a child but I had no idea how they made such incredible photos. 

I am very fortunate in many ways not only is Will Robinson from I’m Not From London an incredible friend of mine but he also happened to be instrumental in the Nottingham music scene. Will has also been a great mentor and has given advice that has helped me to grow and learn my trade as a music photographer. It is something that I will appreciate, probably more than he will ever know. Prior to photographing events, I would regularly attend his gigs, drink a few beers, dance the night away, sing my lungs out, miss my bus home and feel hung over the next day! On one occasion in 2014 I spoke to Will about my experience at the Orb and how I had done a few events, I loved it but I wasn’t that great at it. Will immediately said to bring my camera to the next gig and have a go. Will needed some promo shots of the band that he was managing… supporting…. On I’m Not From London record label (Delete as applicable)… Will always has amazing artists and bands that he works with in various different capacities it is incredibly hard to keep up! It turned out that I would photograph Unknown Era who have gone from strength to strength, not based on my photography at the time! I probably took 1 or 2 good shots from the night. Kane Ashworth nabbed a photo and cropped the watermark out. Hey it was my first proper gig and a photo was appreciated, so I was excited to see it get used. 

Kane Ashmore – Unknown Era

If you aren’t fortunate enough to have a Will Robinson in your life, go to your local pubs, bars and small clubs, music promoters and local bands and ask if you can bring your camera. They will be appreciative of someone taking an interest and wanting to document their local music scene and you can co-promote each other. 

So I had some luck in knowing Will and having done plenty of work for I’m Not From London over the years. However, it is what you do with this luck, one thing is for certain people won’t be knocking on your doorstep immediately. So you have to hunt your next opportunities. I did just that I contacted other venues, promoters and bands in the Yorkshire area (sending 100’s of emails) where I was commissioned by The Venue Selby to take photos of their events and to capture the crowd interacting in the venue. I managed to build a great portfolio and I massively learned about lighting, camera settings and editing. My development during this period was huge and I was able to build links with bands this has led to being invited to gigs, doing promotional shoots on location and in the studio. 

After several years of working for The Venue Selby, I knew that I wanted to further pursue my music photography career. I began looking up other successful photographers, studying their images, learning from them but not copying them as it is important to develop your own style, this takes time. I came across two influential photographers Matthias Hombauer and Todd Owyoung, I read their blogs, watched any videos and I listened to Matthias Hombauer’s How To Be A Rock Star Photographer Podcast and I soaked it up like a sponge as he interviewed the top 100 photographers. I began following them on Instagram and seeing their work and who they shoot for i.e. bands, publications etc. I heard two podcasts in particular with Georgia Flynn who set up Shout About It UK an online music magazine and later Andy Tatt who was at the time the editor for Shout About It UK. I had sent several emails reaching out over a year or more and like many other occasions when seeking work I hadn’t heard anything back (be prepared for this and emails with rejection). Fast forward to one Friday night in October 2018 I saw that Shout About It UK were looking for contributors. I emailed with my latest portfolio and I went to sleep thinking nothing of it. I awoke on the Saturday morning with an email from Andy Tatt saying that he liked my images and they would be happy for me to be a contributor to Shout About It. I was ridiculously excited and couldn’t believe it and I’ve felt extremely lucky for the opportunity I had been given. Shout About It is fabulous photography community with incredibly talented photographers.

This showed that professional perseverance can pay off as well as hard work and not giving up. I was undeterred and I continued to develop my portfolio to the point where it could no longer be ignored. I have photographed bigger acts in bigger venues where my learning has developed further as the lighting is different in these shows. The lighting is magnificent and can change very quickly whereas with smaller venues the lighting is more consistent and use LED lights. I had to adjust from shooting an entire gig to just 3 songs, initially I had the mind set of, man I need to be quick to get shots in the 3 song limit. However, there is still plenty of time to get amazing shots that are well composed to a high standard. This took a while for my mind to relax to be able to adjust to this pace. Even if there is no pit at the front of the stage, I strongly advise sticking to the three-song limit as the bands and management do not like photographers abusing the situation and you can be asked to leave the venue. This can damage your reputation. It is always advisable to check in with the events manager to find out if there are specific rules that the venue also has and make sure that you abide by them to improve the chances of being invited back. 

No matter whether you’re in a small club or in the pit, always be mindful of your behaviour. If you’re in front of the stage in a small venue the chances are you will be obstructing the view of paid customers, be polite, get your shot and move out of their way and get another perspective to shoot the bands. Limit over the head-shot to get the band as again this will impact on the view for the crowd. If you want to get an overhead shot, move to the side out of people’s way. If in the pit there will be other photographers doing a job, again be polite get a shot or two and move position to let others in. You can move to other positions in the pit and politely let people know you’re doing that so you don’t push and shove. Again over the head shots are a no no as guaranteed your camera will end up in someone’s shot and you will fast become public enemy number one. Another thing to remember, you are not part of the show, you are there to capture it. 

In 2016 I was asked last minute to photograph Dick and Dom and I had stage access. I politely asked them for photographs and they appreciated this and I spoke about where I can stand without intruding on them as performers as well as the crowd. However, my nerves got the better of me and I joked about a triple act Rich, Dick and Dom but they sadly did not find this funny. Despite the poor joke, the key is being polite when photographing people and don’t just shove your camera in people’s faces especially if they are off stage. Take time to build rapport and speak to the artists and get to know them. People like to feel valued and it is important to treat them with respect and you will find that you will be asked to do more work for the bands and artists in the future. Where possible I always try to speak to the band and exchange contact details to ensure that they get to see the images I’ve created for them. I have often received great feedback from bands and even been thanked for making them look cool. 

Music photography is great fun and I have been fortunate to photograph some amazing bands and write reviews. It can be hard work with late nights and long hours. It is important to get fast quality edits out to media outlets so both you as a photographer and the media outlet stay relevant. This can be tiring so be prepared to work hard but most of all enjoy it. You can always dip your toes in and shoot gigs to see if you do get enjoyment from it. If you don’t get satisfaction this can come across in your images and you won’t last long in the industry. Find your niche and fully embrace it and live your passion.  

I fully intend to carry on where I left off when things return to a safe level and the music industry can reintroduce shows. The music industry will take on a different form and have a new normal that we will all have to adapt to. It will be interesting to see how photographers fit in with the new ways of experiencing live music. Live Nation are organising Drive In concert experiences in different cities around the UK, only time will tell as to whether this will continue in this format or whether more traditional shows we are used to will return. Either way I want to be at the front of the queue with my camera in my hand photographing live music and seeing audiences have an amazing time listening to their favourite artists.  

   

Jamie Lawson EP Moving Images Review 

Featured Friday 29th May on I’m Not From London

Jamie Lawson has been on quite a journey over the last few years, having been signed to Ed Sheeran’s Ginger Bread Man Records in 2015. It was clear why Ed Sheeran had snapped up Jamie, as his talent is clear for all to see. Whilst in his first year, Jamie released his self-titled third album with the smash hit ‘Wasn’t Expecting That’, which has been streamed over 250 million times. In 2016 Jamie was awarded an Ivor Novello Award for ‘Best Song Musically and Lyrically’, which he followed with his fourth studio album ‘Happy Accidents.’ Jamie did not stand still as he travelled to Nashville in 2018 further perfecting his craft, touring with Ed Sheeran and any available time in his busy schedule was used to write new music. 2019 was another busy year co-producing album ‘The Years In Between’ with Ruadhri Cushnan (Mumford and Sons, Shaun Mendez, Tom Walker and Ed Sheeran).

Jamie doesn’t let up even in a pandemic as he makes a return to Look Out Mountain Records and releases EP ‘Moving Images’ on Friday 29th May 2020. After having listened to the EP many times over the last three weeks the 5 tracks are heartfelt and emotionally charged. This small collection of songs are delicately orchestrated and put together creating an atmosphere heavy with emotion. Jamie has mastered the style of heart-wrenching ballads and he’s clearly not going to stop now. Moving Images does feel like Jamie is moving on to the next chapter in his life with different themes emerging.

The opening song ‘Perfect Year’ has a brilliant little back-story that is based on Jamie’s anniversary present running late. Jamie panicked and decided that he would write the song as a present, while his wife nipped out to Tesco. Oh to have those skills to produce a beautiful song to show his love for his wife. ‘Perfect Year’ was not intended to make the EP however, Jamie found that the song had meaning and felt it was a perfect fit and that others would appreciate it too. You can imagine this song being played in a romantic film as it gushes with love and romance.

‘She Sings For Me’ has a natural drum beat similar to that of the heartbeat mixed with light strings which makes you softly flow along to the romantic lines like “I write your name in the dust on the mantel”. At first listen I felt that this was an outpouring of affection to a loved one but after further reflection it is felt that Jamie was in actual fact referring to the healing powers of music and how music can get you through those hard times as you dig in there to survive and come through the other side. Jamie’s vocal delivery entices you in with his song craft as he reveals a level of honesty that is refreshing and pleasing on your ears.

Next the song ‘And You Saved Me’ has the making of being a massive hit as a first dance at a wedding with the upbeat dance vibes with lovely sounds of strings. Jamie’s voice will soon have you flowing across any dance floor with our partner held close.

‘I Loved You Then’ feels like a lover reminiscing through time and memories that have been experienced. The song explores mortality through the memories and it feels like there is a level of happiness for the times that were had and they can always be treasured.

The final song ‘Closure’ is a sad one, so brace yourself if you’re feeling delicate. It is song writing at it’s best with its minimalist use of instruments with the piano and solo vocals. With Jamie’s voice you don’t need much more to be able to make a truly remarkable song. ‘Closure’ was written about losing a loved one but there is scope for people to feel it relates to losing an ex-partner. Like with all of Jamie’s songs they are open for interpretation and they will have a different meaning for different people. Jamie’s songs are easily relatable no matter how they interpret the lyrics, but each and every listener takes something away with them. Ironically the song doesn’t reach a conclusion, leaving it open for people to speculate and fill in their own blanks.

Moving Images has intricately crafted songs with strings a plenty, with lyrics that allow for emotional and personal connection. Moving Images deserves appreciation and to be listened to. Moving Images is available from Friday 29th May PRE-SAVE / PRE-ORDER: HERE


Introducing Tom King Singer Songwriter

Over the last year I have had the pleasure of doing some work for Republic Media where I would ordinarily photograph shows and write reviews. However, since Covid 19 that hasn’t been possible. I was asked to interview and review his new music video to the single No Mans Land. The article was originally written for I’m Not From London

Featured 4th May 2020

I’m Not From London Introduces Tom King with his spellbinding gospel vocals of 18 year-old, singer songwriter and former winner of BBC 2’s Chorister of the year 2014. Tom has a released a stunning must see music video to newly released song ‘No Mans Land.’ No Mans Land is an emotional and dramatic follow up to Why Are You Here? This was an experimental song that was self-released last year on Spotify, where it soon gathered attention being streamed 30,000 times in the first month, the song has now reached 200,000 streams over the past year. 

Tom’s voice in No Mans Land immediately stands out and you can’t help but pay close attention to the emotive lyrics and harmonies. The acoustic track sets the atmosphere of heartbreak and builds an intensity that allows Tom’s voice to truly shine and convey the message of the song beautifully. The chorus is catchy and combined with the layering of the harmonies, it stays in your head and before you know it your singing along. The harmonies were layered and backed which added an extra dimension to the song that I feel really added to the vibe of the song. 

No Mans Land music video was produced in two days with legendary director Pedro Romhanyi who has famously directed Pulp’s Common People and Blur’s Parklife. The video to No Mans Land was a genius concept with its simplicity to the poignant timing of the release. The idea of it being recorded in Tom’s home creates the atmosphere of loneliness and isolation that is relatable to not only relationships but to that of lockdown we’re all experiencing today. When I first saw the video I may have been struggling a little with lockdown as I felt the power of the video with the delivery of Tom’s body language and his haunting vocals. Tom looked like he was reliving the events that had caused him so much pain this was a tender and honest performance that captures the emptiness experienced when a relationship ends.

Photo courtesy of Tom King and Republic Media

Tom has been involved in music for most of his life having been a member of Guilford Cathedral Choir, having won a prestigious accolade Chorister of the Year, as well as appearing on Songs of Praise and performing live on BBC Radio 2 and Radio 4. 

Tom had expressed an interest in becoming an actor, however, mentor Harriet Starling recognised Tom’s talents when he wrote a song for his GCSE’s. Harriet encouraged him to pursue a career in music and introduced Tom to Paul Aiden Co-Writer on Why Are You Here? As well as the song No Mans Land. 

Aged 18 Tom has a life ahead of him in the music industry and he is determined and full of ambition to release singles and eventually an album. Tom has not been deterred by lockdown as he used FaceTime to talk with Pedro to make his powerful music video.

Interview:

INFL – Hi Tom, How are you?

TK – I’m good thanks and how are you?

INFL – I’m really good thanks. Thank you for speaking with me today.

TK – You’re welcome thank you for speaking with me too.

INFL – How did you get involved with music?

TK – I started with Guildford Cathedral Choir up until my voice started breaking. At 14 I started to write songs using logic on the computer and playing the piano, I started to produce my own songs. I practiced chords on the piano and experimenting with logic creating different music and trying to find my own style of music. I also studied GCSE Music and I’ve been studying for my Music A Level. Harriet Starling has been mentoring me and encouraging me to pursue a music career. I have a great team around me who are helping to progress my music career.  

INFL – How different is it from the choir to producing your own music?

TK – The biggest difference is being able to make your own music without being told what to sing. I have taken a lot from the choir as I was taught music theory, how to order a song, how to read and write music and how to sing technically as well as perform. This has all helped for making my own music as I had gained the skills to go solo. It’s been a long process getting the stage where I’m at as I’ve grown and developed as a person and a musician. A big difference has been life experience as I’m able to make songs personal to me rather than just songs, as I hadn’t experienced a break up when I was younger. I wanted to make music that was personal and relatable as this makes the best music. 

INFL – What are your musical influences?

TK – I would listen to Adel and sing her songs as it is all about her vocals, I find the voice is the most important to any song and the instruments are there to showcase the vocals rather than take all the attention. 

INFL – I notice that there is a Sam Smith influence too.

TK – Yes absolutely, I was blown away listening to Sam Smith and I bring a part of Sam Smith’s gospel style and the way he uses harmonies. I use these gospel and harmony influences into my own way of singing. I study the techniques of the likes of Stevie Wonder and Luther Vandross to help shape the way in which I can use my vocals. I’m a fan of Billie Eilish too as she has great vocals which appeals to me because I focus on good singers.

INFL – When you’re not studying, writing or performing music who do you listen to?

TK – It depends on my mood really but I will listen to what is on the radio to see what is popular. I will look out for the artists with the best vocals like Adel or Billie Eilish. 

INFL – Tell me about the first song you released Why Are you Here? Were you surprised by the response with 200,000 streams?

TK – Yes I was totally surprised at the response, within the first month I had 30,000 streams. I had no idea this was going to happen, I did this independently without a record deal. I didn’t even promote the release other than through friends and family, so it was a total shock to get so many people listening to my music. I got tagged on Instagram by a young girl dancing to my song and it was a great feeling that people are relating to my music and feel they can reach out and tag me in their posts. It was also a weird feeling at the same time, as I didn’t think this would happen. 

Why Are You Here? Came about when Harriet introduced me to Paul Aiden Co-Writer and during our first session we experimented with sounds using a guitar and lyrics and it all fell into place and it felt natural working together. It was the first time I’d worked with anyone in this way for my music. I was happy with the outcome and knew that I wanted to release it. Prior to the release Harriet Starling had spoken to me about not getting our hopes up to the response. We didn’t know it would blow up and be so popular.

INFL – Tell me about No Mans Land, how did it come about and why did you release it during lockdown?  

TK – No Mans Land was supposed to be released before lockdown and there was talk of a record deal but this didn’t go through, so I did it anyway and I’m still independent. I’d been sat on it for over a year and it got to the point where I just wanted it out there. When I made this song it was with Paul and it was our second session together. I knew exactly what I wanted to do and how I wanted it to sound. I wanted to bring my gospel style to this song and my strong harmonies. Paul and I worked on it and produced a song that I’m very proud of.

The music video was recorded on my laptop at home and I sent the footage through to Pedro who directed me via FaceTime and we put it together in the space of two days. It all happened very quickly and it was great to work with Pedro, he was very unassuming and professional. 

INFL – What is it like having to wait so long to release your music?

TK – It is difficult as the anticipation is a struggle at times, especially as the release date gets closer as I feel a bit worried about when it goes out, as well as relief and excitement. It can also feel anti-climatic when I’ve said to friends that I’m releasing new music and they are like ‘I’ve already heard it’ as I play my music to them a long time before it is released. 

When my music is released it is weird that my parents get to hear about my experiences and my feelings. As they often don’t know that I had felt that way and that the songs are so personal. My family and friends are very supportive of me, and my music career. 

INFL – Your music is very personal, how do you start to write the songs and where do you get the inspiration?

TK – It is important to me that the music I write is personal to me it can be difficult at times and I do get writers block. I write notes on my phone as memories come back to me or ideas come to my thoughts. I write when the emotions arrive to me as I feel them but I also tap into a memory to get the emotions I’m after for a song. It can be difficult when I’m happy and in a good place because the emotions aren’t there for the types of songs I want to make. Tom joked it is good that I’m not sad or upset but terrible for writing songs with emotion. I think that the freshness and rawness of feelings make the best songs as that is how you feel in that moment. I find writing very cathartic and a positive way of dealing with painful experiences and relationships. It is also relatable for others to hear when they go through similar experiences. 

INFL – How would you describe your music for those who don’t know your music?  

TK – I would describe myself as being a singer songwriter who has a focus on vocals with a heavy gospel harmony influence. I don’t know about labels or genre as such but I would say that my music is mostly sad and emotional as well as soulful. 

INFL – What are your plans for the future?

TK – Well I’ve practiced a live stream to my friends and family and I plan to do a live stream gig in May for everyone to listen to. I plan on writing as much material as possible. I plan to release more singles in the coming months but overall I plan to be able to make an album. When lockdown is over I plan to do lots of live shows and gigs and promote my singles to a live audience.

INFL – Thank you again for your time, it was a pleasure to speak to you and find out about your new music. I wish you all the best and I look forward to your future releases. Take care and all the best.

TK – Thank you as well for speaking to me. Thank you that’s nice of you. You take care too.

Go Check out No Mans Land by Tom King 

Article By Rich Clark of Harrogate Photography 

Hands Off Gretel – Brudenell Social Club Leeds

Featured 11th March 20 Shout About It

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Hands Off Gretel are a punk/grunge band full of sass from South Yorkshire, who built up a large following. Hands Off Gretel have a reputation for high energy shows with a dynamic range of music and a presence that captivates the audience.   

Hands Off Gretel are feisty and unapologetic with their feminist perspective as they vent their anger and frustrations against societies views on body image, mental health, relationships, loneliness and about being a women in today’s society. It is clear that Hands Off Gretel take no prisoners and will challenge any inequality and they want women to feel safe coming to shows without being sexually harassed and groped. Hands Off Gretel are very passionate about their music and the subject matter of their songs, lead singer Lauren Tate made this clear in-between songs talking to the audience about the importance and relevance. Despite the deepness and seriousness of the songs there was still a lot of fun to be had as the crowd lapped up every minute of the performance.     

Lead singer Lauren Tate reminds me of Gwen Stefani in terms of her swagger and the punchy grunge sound from the band reminds me of Nirvana. If you like this mix you will love Hands Off Gretel. Hands Off Gretel have many musical influences but they are only being themselves, natural and authentic. 

Lauren Tate has an unmistakable voice with a great combination of sweetness with melodies and rawness when she screams out the words to the songs. Lauren puts everything into her performance as she bounds around the stage, crawling on the floor and engaging the crowd.  Sean Bon (Guitarist) was constantly head banging and moving around on stage with such passion creating great riffs from his guitar as he thrashed around. Bass guitarist Beck Baldwin had such ferocity as played guitar head banging and singing alongside Lauren. Drummer Sam Hobbins set the tempo for the evening as he played the drums with gusto and conviction.     

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In the 5 years they have been together as a band, they are certainly going places as they regularly tour and are building a huge fan base. Hands Off Gretel are a hard working band doing a lot of the promotion, merchandise design and music videos themselves with Lauren Tate being the mastermind in creating it all.

Towards the end of the show, the crowd were told that there is only one more song unless they wanted more, the crowd naturally wanted more and they played their final two songs of the set. The atmosphere was electric by this point as everyone seemed pumped and enjoying the show.

When speaking to the band after the show, they were humble and modest with Sam (Drummer) saying that he just bangs the drums as hard as he can in the style of punk. It is far from what he says as it is evident that he is talented drummer who knows exactly what he is doing. Lauren says she feels like the last 5 years have been a dream as the band goes from strength to strength. Lauren seemed to be surprised that The Brudenell Social Club was so full of their fans and she finds it bizarre that people are there to see them play. Hands Off Gretel are refreshing both on and off stage and they care about their fans and dedicating their time to speak to them afterwards.     

Hands Off Gretel seem destined for great things with their raw talents, hard work, energy, passion and style.  

Review and Photos by Harrogate Photography and featured on Shout About It

Goo Goo Dolls, Miracle Pill Tour O2 Academy Leeds

Featured 22nd February 2020 on Shout About It

Reading Band Valeras supported Goo Goo Dolls in fantastic fashion with their mix of EMO, R’N’B and flashes of Latino influences. Lead singer Rose Yagmur had an incredible stage presence that was great to watch. Valeras set the mood for the night and the crowd were warmed up ready for the main show. A fan from Newcastle said to me after Varelas set that “The lead singer is mesmerising.” The Newcastle fans said that they were pleased to have seen Valeras as they were a good band musically as well as performers.

Goo Goo Dolls need little introduction as they’ve been going strong for 3 decades together as a band with over 12 million albums sold and 4 times GRAMMY Nominated. Miracle Pill is their 12th studio album that was released in 2019 with single ‘Miracle Pill,’ ‘Indestructable’ and ‘Fearless’ were included in tonight’s show.

The stage filled with smoke creating an atmosphere as the audience eagerly awaited Goo Goo Dolls to take to the stage to kick off the night’s proceedings. Singer John Rzeznik entered the stage first, grabbing the microphone, more smoke was released and the lights were low and John started to sing. The stage filled with more smoke as the rest of the band joined John on stage and the show was in full swing from the very start. John thanked the sold out crowd for coming to see them and he said how much he loved performing in the UK and to the Leeds fans. The crowd were in high spirits as they sang and danced along in the cramped space available.

Audience members shouted that they loved Goo Goo Dolls and Rzeznik responded saying he loved them too and more people shouted back. Rzeznik smiled and continued to play their next track. Throughout the show Rzeznik and Robby Tacac covered the whole stage walking whilst playing their guitars to the edges of the stage to engage with the crowd. Just a small gesture from Rzeznik and Tacac got the crowd cheering and clapping to the beat.

The first song of the evening was called ‘Indestructable in which Rzeznik reveals his regrets over a past lover, despite the sadness coming through in the lyrics it is layered with cheery and upbeat sounds from each of the guitarists. Rzeznik joked when he said he had an ex-girlfriend from the UK but they had to end as she was a better guitarist.

The second song of the evening is called ‘Home’ from their 9th studio album ‘Something for the Rest of Us’ Rzeznik talks about how he misses being home with important people he cares about and how he desperately wants to be where he feels happy and complete.

Third song ‘Slide’ was played which is a deep song about a Catholic girl who has become pregnant and the discussion between her and her boyfriend whether they should have an abortion or get married.

When the song ‘Black Balloon’ was played mid way through the show, 100’s of black balloons released into the audience. The audience played a giant game of keepy uppy batting them around the O2. Pops were heard as the audience wanted to get back to watching the band on stage. At the end of the show a few balloons remained being passed around the audience.

Goo Goo Dolls covered their classic hits this made the crowd very vocal as they sang at the top of their lungs, arms raised in the air. The audience knew from the first few strums of the mandolin that ‘Iris’ was going to be played and they seemed excited to hear it. Rzeznik pointed the mic to crowd and they immediately started to sing the chorus. The band jammed showcasing their musical talents at their best. The music slowed in pace and the crowd were waiting for the music to drop, so they could continue dancing and singing to the remainder of ‘Iris.’ The show was nearing the end and the intensity didn’t stop as the band continued to play their two remaining well-known hits ‘Broadway’ and ‘Autumn Leaves.’ Each of the musicians fully showcased their skills as they heavily played their instruments Tacac taking the spotlight while playing the bass full throttle. Brad Fernquist played many different guitars and Mandolin demonstrating his talents throughout the show. Iris was unmistakable when Ferquis started to play. Craig Macintyre was incredible on the drums setting the pace throughout the night and he enjoyed his drum solo at the end of the show. Jim McGovern on key’s produced light and jovial tones to the contrast of guitars and drums. Rzeznik thanked their fans for coming to the show and played ‘Autumn Leaves’ before leaving the stage to bring their epic show to an end.

Review and photos by Harrogate Photography and featured on Shout About It


Review: The Reytons – The Wardrobe Leeds

Featured 10th February 2020 on Shout About It

The Outcharms were the first band to take to the stage and they soon set the tone for the evening and the crowd were jumping along with the music. Outcharms are touring with Reytons and the next band Feva. Feva are a band from Newcastle, they had a passionate performance and the lead singer climbed up onto a shelf and hung on tightly as he sang to the crowd. He jumped down and joined the crowd on several occasions. He took his shirt off and a member of the crowd did the same and threw it on stage, later the shirt was returned to the rightful owner. 

Even before the Reytons came on stage the crowd were moshing to the intro music being played. When The Reytons did enter the stage they looked like they were at home, taking full ownership of the stage at The Wardrobe in Leeds. Johnny Yerrell – lead singer joined the stage last, resulting in the crowd erupting at his presence.

Leeds well and truly came alive when The Reytons started performing, dancing and moshing quickly occurred. The dance floor was immediately covered in beer as it was thrown around everywhere. Miraculously the camera and I remained intact as people thrashed around like wild animals around me. On several occasions I was knocked around and swept away with the audience. This was an added challenge to taking photos but I embraced the challenge and enjoyed the ride. At one point two people decided to link together to stop people bashing me during the performance, however, this didn’t last long as the crowd were very boisterous. 

The hard working band oozes real Yorkshire grit with their edgy and rugged indie rock sound. They have perfected their craft and have become great social commentators of their time. The Reytons do sound a little like the Artic Monkeys added with their South Yorkshire accents. This is a huge compliment to The Reytons as they are immensely talented and incredibly entertaining. The Reytons have their own identity; they know exactly what they want to say and how to say it. They’re a band that does not conform as they are fully in control of their careers in the music industry. The Reytons cleverly talk about everyday situations with wit and intelligence. They are a great band with a lot to talk about, especially with the track ‘Kids Off The Estate’. This track in particular is easy to relate to with young people hanging around in parks on the estate getting a bad name. Clifton Park in Rotherham could easily be any park around the UK, anyone with a misspent youth will know.  This rousing punchy song typifies what the Reytons are about and how they got their name.    

The Reytons have brilliant one liners which accurately delivers the message of the song and sets the atmosphere. ‘Clare’s Law’ does exactly that with the lyrics “He’s a lover She’s a fighter Ten bob on it’s another all nighter. The Reytons covered their popular songs ‘Low Life’ ‘Wide Eyes and Halos’ ‘Billy Big Bollocks’ and ‘Slice of Lime.’

Review and photos by Harrogate Photography and featured on Shout About It

Seth Lakeman A Pilgrim’s Tale – Cast Doncaster

Featured 5th February 2020

Seth Lakeman kicked off A Pilgrim’s Tale UK Tour at Cast in Doncaster on Wednesday 5th February 2020. Lakeman entered the stage looking unassuming as he picked up his violin. The band started to play their instruments as Actor Paul McGann’s voice was heard introducing the story line to the first song of the show and the album A Pilgrim’s Tale. McGann’s voice with instrumental as well as projected visuals of the Mayflower’s adventure set the scene. The crowd were silent and rooted to their seats as Lakeman performed. The audience were hearing these songs for the first time and they didn’t want to miss any element of the show, I’ve never seen an audience so still and quiet. This added to the intensity and intimacy of the show. Lakeman looked like he was living every moment of the story as if he had been on the Mayflower voyage all those years a go.

Lakeman had chosen specific places in the UK that had significance to the Mayflower. Doncaster was chosen because one of the most important Separatist Mayflower Pilgrim’s, William Bradford, was born in Doncaster in 1590 and baptised in the parish church dedicated to St Helena (almost 1000 years old). 

A Pilgrim’s Tale has the sound of folk music back at the roots, all sounding authentic and stripped back. Lakeman’s voice flows brilliantly with the music of the band, his lyrics stay with you as he tells the story of hope as the pilgrim’s go in search of a new life; how they then struggle on the voyage, lacking food and becoming poorly. Once they arrive their struggles don’t stop there as they clash with Wampanoag Tribes people and how harmony was reached. Lakeman had the skills to take people along with the music, making it easy to imagine the Mayflower and the events of 1620.

While celebrating the 400th Anniversary of the Mayflower, it stays sensitive to the historical story, religious liberation and the deaths on both sides of the Pilgrim’s and the Wampanoag. 

The second part of the show was started by Lakeman addressing the audience, with massive thanks to everyone who had attended the first show of the tour. Lakeman said that he had been nervous about doing the new material and how it would go with the audience. He said he didn’t know if they would clap at the end of the songs. Lakeman added that they would do his older material to get people going, he said he didn’t want to lose people. The crowds response was different to the first half of the show as they were excited to hear songs they were familiar with. Lakeman mixed his repertoire of songs from tradition folk for the purists to rock-folk style, a style that Lakeman has developed over the years. Whether you’re a purist or modern folk fan, Lakeman has a song for you to appreciate. 

Lakeman invited the audience to sing with him, they did so with enthusiasm as they were into the full swing of the show. Lakeman joked saying, I didn’t hear that in the first part of the show. The audience joked with Lakeman and he responded well ramping up the tempo for the remainder of the show. 

Lakeman demonstrated his trademark foot stomping, fiddle bow-shredding to the highest level. You can see why he’s probably the coolest man in folk right now. The audience were toe tapping and head bobbing to the tempo of the songs and singing at the top of their lungs. 

Lakeman returned to the stage for the final two songs that had such energy that I’m surprised his bow didn’t break or catch fire. The band jammed together before closing the show. Lakeman thanked the crowd for being guinea pigs for the first tour of A Pilgrim’s Tale. Lakeman went on to thank each member of the band and they all stood together, taking their final bow to end the show.

 A Pilgrim’s Tale Tour is fast selling out, get to one of the shows before it’s too late.

Sat 8th Feb – Gainsborough, Trinity Arts Centre

Sun 9th Feb – Boston, Blackfriars Theatreand Arts Centre

Tues 11th Feb – Harwich, St Nicholas Church

Weds 12th Feb – London Southwark, Cathedral

Thurs 13th Feb – Southampton, Central Hall

Fri 14th Feb – Dartmouth, Flavel Arts Centre

Sat 15th Feb – Plymouth, St Andrews Church  

Review: Vukovi, Hyde Park Book Club, Leeds

Featured 29th January 2020 on Shout About It

Bristol band Soeur took to the stage at Hyde Park Book Club with their aim to warm up the crowd ready for Vukovi. Soeur easily grabbed the attention of the audience as they stepped closer to the stage whilst moving energetically to the grunge heavy songs. Soeur are set to headline their own shows throughout 2020 and are well worth going to see.

Vukovi have gone through some changes to the band over the past year, now being two original members remaining Hamish Reilly Guitarist and Janine Shilton.

Vukovi’s Janine Shilton was the last of the band members to make it on stage and there was one almighty cheer from the crowd as she raised her arms in the air to announce the start of the show.  Janine got the crowd pumped from start to finish and the energy levels intensified as the gig went on. Janine chatted to the crowd and conversed with ease, having a laugh and joining in with the banter. Vukovi performed their new and old songs perfectly and the band was visibly surprised to hear the crowd sing their songs back to them.  Janine Shilton asked “who knows us?” There was a roar from the crowd and Shilton replied “Wow Leeds, you know us, we appreciate that.”

As the show was nearing towards the end, Janine Shilton invited the crowd to do a “wall of death.” The crowd split in the middle section so that they could run at each other and mosh when the song was at it’s heaviest and grungiest. The crowd did not need much encouragement as they ran and pushed each other around in excitement. There were other people who were picked up by the crowd and they surfed towards the stage where they were safely supported off stage. There were several audience members who invaded the stage and danced with Shilton before re-joining the crowd. The atmosphere was electric and everyone had a smile on their face as they enjoyed the show.

Vukovi as a duo did not disappoint as their performance was faultless and their enthusiasm was infectious.  Vukovi’s album Fall Better cannot be easily labelled as it has so many influences from punk, heavy rock, pop to name a few. The heavy riffs are managed beautifully by the soulful lead vocals. Janine Shilton packs a punch with her delivery as lead vocalist and can match the ferocity of the drummer and guitarist.

Vukovi announced that there wouldn’t be a fake end to the show and the last song meant the last song. True to their word, when their last song was finished they quickly left the stage to the cheers from the crowd. Hamish Reilly slammed his guitar on the floor and slid it across the stage as he was leaving. The guitarists equivalent to the mic drop. As I was leaving the venue, I could hear people mentioning how amazing Vukovi are and how they had been grateful to see them perform.

Review and photos by Harrogate Photography and featured on Shout About It

The Overtones Christmas Party – Royal Hall Harrogate

The Overtones were performing in the beautiful Royal Hall in Harrogate, which is a perfect venue for a show to feel intimate with its ambience. Support act Ben McKelvey was not there just to make the numbers up, his talent was evident from the second he started to perform. Ben was placed at the front centre stage in the single spot light, yet his presence was felt around the whole venue. This is a real talent to warm the crowd up who are generally there for the main act The Overtones. McKelvey’s performance in it’s own right deserves credit for wowing the crowd. I get the impression he’s got through a fair few guitar strings in his time as he strums with such energy. McKelvey’s performance is very easy to listen to as he covers a classic Johnny Cash’s Ring of Fire, this made the crowd shout and cheer and join in with the chorus. He also engages the audience with ease talking about his experiences in the music industry and the difficulties he’s faced throughout his career, singing to empty rooms and the temptation to quit music as a career. However, an inspiring conversation with his Dad changed it all and kept him motivated to continue. McKelvey’s Dad was in the audience to receive his shout out and to watch his son proudly.  

The Overtones took to the stage looking like they had just left the catwalk with their immaculate fashionable looks. The Overtones are now a four piece band after long-term member Lockie Chapman left earlier this year. Newbie Jay James has joined the band and after watching their performance you wouldn’t know he hadn’t been part of The Overtones for long. The band gelled perfectly with their dancing, interaction with each other and their harmonies. The band introduced Jay James and the audience clapped and cheered his new membership. The band briefly mentioned their troubled couple of years but they said they are doing music as much for the fans as themselves. The Overtones announced a summer tour in 2020. The Overtones set a Christmas game which had everyone looking for a golden ticket while a Christmas melody was being played, after searching high and low there was one lucky winner finding the golden ticket to a show next year.

The Overtones were great performers as they looked like they loved being on stage doing what they do best. The band danced and gyrated to the extent that Tom Jones would have been proud of their moves. The Overtones got the crowd up on their feet and encouraged them to dance, take photos and have a great time. The crowd were shown some basic Overtone dance moves and they copied to the best of their ability, for what the crowd lacked in skill they certainly made up for with enthusiasm.

The Overtones can each sing brilliantly, I felt this was showcased in particular when they sat down to sing as you could hear their voices blending together with the softer ballads. The Overtones mixed the tempo well changing from the fast paced dance routines to the slower ballads. Darren Everest is the falsetto voice of the band, Mark Franks and Mike Crawshaw are the middle harmony singers and Jay James as Tenor. Each of their voices stood out giving their own unique sound to their songs.  

Written and photographed by Rich Clark

Squeeze – The Difford and Tilbrook Songbook Tour Review 16th November 2019

Featured 20th November 2019

A Little Bit of Squeeze

Heaven 17 warmed the crowd up at the Harrogate Convention Centre perfectly by playing their most successful songs from early to mid 80’s. Original members Glenn Gregory and Martyn Ware played a lively hit filled set. 

Heaven 17 were very impressive with their performance which had the audience up on their feet, clapping and singing along. 

The Difford and Tilbrook Songbook Tour is raising awareness for the much needed Trussell Trust Food banks. At Harrogate Convention Centre there were visible donation points for the audience to donate both food and money. Glen Tilbrook spoke about the need for them and how shocking that this is needed in today’s society. Tilbrook also announced that the proceeds from Difford and Tilbrook Song Book CD would go to the Trussell Trust Food Bank. It is great to see artists supporting charities and making a difference to those who desperately need food banks in order to survive. After the show I spoke to Lucy a Representative of the Trussell Trust Food Bank at Harrogate and she was very pleased with the food donations from those who attended the show. The donations will be delivered to the warehouse on Sunday 17th November ready for distribution to those in need. 

Squeeze’s Glen Tilbrook and Chris Difford took to the stage at The Harrogate International Theatre armed with an array of guitars as well as a full band and their catalogue of songs spanning over 45 years. Glen Tilbrook and Chris Difford sang songs that were written and performed in partnership in the 70’s and 80’s. Their iconic songs have stood the test of time as fans have flocked to see Squeeze perform tonight’s show. One of the die-hard Squeeze fans spoke of their talent in their song writing as well as their performance. He summed it up perfectly by saying any talented musician tells a story and has you hooked immediately. He felt nostalgic listening as it reminded him of holidays, relationships and even smells. Him like many others left feeling happy having seen their favourite band perform all of their favourite hits. 

The audience were glued to their seats, staring up to their icons for most of the show. However, when Cool For Cats started playing, the audience were up on their feet like Usain Bolt out of the starting blocks. The audience remained on their feet and dad dancing officially commenced. 

Anyone who has witnessed Squeeze live on stage can attest to their stage presence as well as their manner to connect with the audience on such a warm level. Both Difford and Tilbrook have great humour, natural charisma and everything about their performance feels authentic. Each and every song had a feel good factor to them and you couldn’t help but smile and be happy to be at the show. This was strangely the case when they performed a song about erectile dysfunction. Difford commented that it was rare for a song on such a subject matter.

Not only can Difford and Tilbrook sing, they could sing in a phone box and still sound great, but Tilbrook’s skills on the guitar were phenomenal with his fingers moving along the fret board with such ease like some form of wizardry. Each of the members of the band had their own jam showing their amazing skills. Tilbrook joked by getting a fire extinguisher for a member of the band.    

Difford and Tilbrook were able to change the pace of the show with ease and it all flowed beautifully. Although, Tilbrook jumped ahead on the set list but he soon realised when he was given looks from his bass guitarist. Tilbrook laughed and went back to the song he was meant to play.

The audience got a great selection of songs that has spanned over four decades. Like all great musicians they left the audience wanting more, Squeeze re-entered the stage to sing the final classics of the night. 

Words and photos by Rich Clark of Harrogate Photography

City Calm Down – Brudenell Social Club 28th September 2019

Featured on 30th September 2019 on Shout About It

City Calm Down are a great band from Melbourne Australia, they are immensely talented musicians on their UK and Europe Tour before heading back to Australia.      


City Calm Down took to the stage at The Brudenell Social Club slightly later than expected due to technical difficulties, this only heightened your anticipation of their show. Little Hand Feet started the evening with their Soulful Art Rock style, from the very beginning Little Hand Feet brought energy in abundance and it was hard to not move along with them. The crowd had been warmed up and entertained ready for City Calm Down to headline the show.

City Calm Down came onto the stage with such confidence and presence that made you feel you were in for a good night. Lead singer Jack Bourke made his presence known from the opening when he sang with such passion and energy, he meant every lyric with every fibre of his body. Jack Bourke’s intensity was emphasised under the blue lights on stage making his eyes particularly prominent.


The crowd were at first quiet and intensely listened to City Calm Down, some people were swaying gently and nodding with the band somewhat subdued to the pace of the music and the deep lyrics of the songs. This all changed when the lead singer from Little Hand Feet ran straight to the front of the crowd and he danced with no inhibitions and just joy was expressed all over his face. The rest of the crowd jolted into action as they followed to dance without a care in the world. Jack Bourke acknowledged this at the end of the song by saying “Thank you Little Hand Feet for starting proceedings. The crowds energy continued throughout the rest of the show as I was being jostled about by people dancing and bumping into me as I took photos.

City Calm down have an 80’s influence from British pop culture of that time, Joy Division and the Smiths were highlighted as key bands of that time, giving City Calm Down their musical identity. The band have their unique style bringing in synth, saxophone as well as guitarists. The musicians have arranged the different sounds perfectly making something really quite complex sound easy.


The song Stuck on the Eastern soon changed to being stuck on the A1 as a fan shouts from the audience. The lyrics also changed in the song and the crowd cheered as they heard their local motorway mentioned in the song.
City Calm Down were a pleasure to watch and I feel they will continue to grow, doing bigger shows, gaining more fans as they travel on their UK and European Tour.

Review and Photos by Harrogate Photography and featured on Shout About It

Deer Stock Festival – 26th to 28th July 2019

Who doesn’t love festival season, you simply can’t beat it. There is always without fail an incredible atmosphere with people having fun, enjoying the bands, socialising with friends/family and likeminded people. The fun does not stop until you have your car packed and your heading home with your thoughts full of happy memories. This was the second music festival I had photographed and I was very excited to have been able to take photos of the event.

The Meat Puppets, 10th June 2019 Brudenell Social Club, Leeds

Featured on 12th June 2019 on Shout About It

Three of the original line up reunited to create Meat Puppets latest album Dusty Notes. Cris and Curt Kirkwood and drummer Derrick Bostrom hit the road again for their European tour in 2019. They took to the stage together for the first time in over twenty years. It was well worth the wait to see Meat Puppets perform together at the Brudenell Social Club.

Throughout the set that included defining songs like “Lake of Fire,” “Plateau” and “Blackwater” the bands chemistry together worked well and was natural. These songs in particular reminded me of the performance in 1993 by Curt and Cris with Nirvana Unplugged In New York. These songs made Meat Puppets well known, giving them a cult following which has continued to grow over the years.

Curt is one of the best songwriters of his generation and over the years the Meat Puppets have developed their sound, they’re not easily categorised as a specific genre of music as they have their own unique style.

The keyboardist Rob Stabinsky complemented the band perfectly as he brought the melody to the hard old school rock guitar from Elmo Kirkwood. Curt by contrast softly strummed his guitar with such precision and passion.

Meat Puppets are still living the hard rock star lifestyle and they don’t do this by halves. Life on the road can be hard and take its toll but they can still be seen enjoying every minute of being on stage and performing to their fans.

Review and Photos by Harrogate Photography and featured on Shout About It

Howard Jones Review De Montford Hall Leicester 29th May 2019

Featured on 31st May 2019

Howard Jones the master of Synth pop music returns with a bang with the album called Transform. Many of the new songs were on the set list mixed with some of his classics. 

Howard Jones took to the stage where he immediately gained the attention of the audience as he spoke about where it all began in 1984. He reminisced about Live Aid and he gave anecdotes from his experience doing the concert. He walked towards the piano and he started to gently press the keys, the crowd shouted and whooped as he began his show. The audience then sat silent in awe of Howard Jones singing the heartfelt song, you could have heard a pin drop. 

Howard Jones then picked up the pace with his second song as he immersed himself in singing and dancing to his synth music that he is famous for. The show felt like Howard Jones had gone back to his roots, where he first started 35 years a go. Howard Jones was a pioneer of synth in the 80’s and he has taken synth pop to new levels.  The songs had a feel good factor about them making you want to dance and move. Howard Jones performed with energy and feeling, with his natural stage presence. He looked like he was in his element as he performed his jazzy synth sounds, catchy melodies and introspective and life affirming lyrics. Howard Jones has adapted his older songs to his present contemporary style that works perfectly for his show. The transitions between old and new songs were seamless throughout the show. Howard’s ability to switch pace with the different songs did not seem out of place as he returned to the piano with his guitarist Robbie Bronnimann to sing “Human’s Lib”. The simplicity of the two worked wonderfully as well as the minimal lighting created a magical atmosphere and will have been nostalgic for the life long fans of Howard Jones. 

The audience were happy and they cheered when they heard classic songs like “What Is Love”, “Like To Get To Know You Well”, Life In One Day”, “Human’s Lib.” These famous songs lifted the crowds spirits further as the show went on. When “New Song” started, the big screen featured parts of the original music video from 1983 on Holborne Underground, where a very young Howard Jones was shown.   

The track “Beating Mr Neg” speaks of the negative voice in your head that stops you from achieving your potential. It felt like Howard Jones was trying to say to acknowledge these thoughts, manage them and be the best you can be and achieve those goals. There was a thread of positive messages throughout the songs. Messages of change are philosophical in the sense that in order to change the world people need to change themselves first. Taking ownership of our actions rather than relying on others to make the changes.    

Howard Jones has considered every element of his show it was a show for your senses with the incredible lighting. At the beginning of the show there was a white curtain that was used to show the light through making the stage look 3D. At one point he went behind the curtain and the spotlights were put on him creating different effects. He stood under the spotlight with the rest of the stage being left dark which had a powerful impact as the lights changed quickly again. When the curtain was removed it revealed a huge screen with animated people or characters dancing. Howard Jones interacted with the characters on screen facing them that worked well as his movements were choreographed well with the screen. Even when he had his back to the screen he moved in sync with the characters like a trained martial artist doing Capoeira. 

Howard Jones was natural and authentic and he was simply being himself. He performed the songs with such conviction and passion that flowed from him. Howard still loves his work 35 years on and it is clear that he doesn’t intend to stop here. 

His fans were out in number tonight and they were up out of their seats as they danced and clapped. The audience adored his show as they requested more as the band walked off stage. Howard Jones returned to sing his final song ‘We’re In This Together.’ “35 years on and still rocking, we’re in this together” was his closing statement before thanking the audience and leaving the stage for the final time. The crowd gave him a standing ovation as they watched their hero leave the stage after having watched a thoroughly entertaining show. 

Review and photos by Harrogate Photography and featured on Shout About It

Sarah Darling at Brudenell Social Club

Featured 22nd March 2019 on Shout About It

Sarah Darling is an American Country Singer and song writer on the last day of her UK Tour. Sarah Darling wowed the crowd at the Brudenell Social Club with her angelic voice and natural stage presence. Every word was perfectly sung with her soft and soothing vocals.  The four-piece band complemented her beautifully with the bassist, keyboard player, guitarist and drummer who are all immensely talented. Sarah Darling sung with such ease telling her stories with natural ability, making it very easy to go on a journey with each song as she performed them. At the end of each song you were greeted with loud applause from the crowd who appeared to be consumed by her performance. 

The first of her three songs was called ‘Blue Sky’ from her forthcoming album Wonderland. The Leeds crowd were hooked from the first notes. The following track ‘Call Me’ got the crowd cheering as the song speaks out about the need to be someone’s buzz that they can’t live without. The fun lyrics set the tone and you feel the excitement come through the performance.  

Before starting her next song Sarah Darling spoke to the crowd thanking them for coming and for the warm welcome. She introduced the next song ‘London Fog’, talking about her experiences of London, living in the UK, writing and recording songs whilst living here. 

The fans loved hearing the song Where Cow Boys Ride, from her 2017 album Dream Country which went down well as the fans sang along. The crowd wanted more and they made this clear by chanting more at the top of their voices. They were not disappointed as she came back to sing one final song. 

Whilst Sarah performed, you could see her giving eye contact to the crowd, smiling and pointing to the audience. This made the show feel intimate and special as she made everyone feel welcome and included as if she were just singing to them alone. Sarah Darling’s down to earth charm makes her relatable and enjoyable to watch perform. For any country music fan, Sarah Darling is the artist to go and see live. 

Photos and Review by Harrogate Photography and featured on Shout About It

Sea Girls – The Key Club, Leeds

Featured 4th March 2019 on Shout About It

BBC Sound Of 2019 Nominated, Sea Girls are absolutely smashing it at the moment with their UK Tour. Friday 1st March gig at The Key Club Leeds was no exception as the sell out crowd needed little encouragement to cheer on Sea Girls and dance at the earliest opportunity. Sea Girls kicked off their show with ‘Lost,’ which was immediately welcomed by the crowd as they cheered with excitement. Lead Singer Henry Camamile interacted with the Leeds audience getting them even more hyped up and ready to dance to their next song ‘Too Much Fun.’ There was no let up when they played their third song called ‘Heavenly Way.’ Lead Guitarist Rory Young and Bass Guitarist Andrew Noswain performed with an infectious energy, covering every available space on stage. Oli Khan set the atmosphere and tempo with his brilliant drumming talent as the audience could be seen moving to the beat. Sea Girls are a talented Indie band with a buzz about them, this band seems destined for big things to come in the future. 

Night Beats at Brudenell Social Club, Leeds

Featured 11th February 2019 on Shout About It

The Night Beats are an amazing psychedelic band from America. They have their own unique style with nostalgic sounds of the 60’s without trying to replicate artists of that era. The crowd were loving every song from their setlist which included songs from their latest album ‘Myth of a Man.’ The crowd were dancing and flowing to the mind melting music and demanded more at the end of their show. Much to the crowds delight the band came back on stage to deliver their final song of the night. Everyone lapped up the final song, which left them happy to have experienced the Night Beats performance. 

Studio Portraits

Model shoot took place in Birmingham where Lucy wanted some head shots for her portfolio. For each of the photos I used different lighting setups, varying from one or two lights. I love studying photos in magazines and I look to see how they use their lighting to create their specific look. I have several influences in these images, one being the Hollywood look with a butterfly shadow underneath the models nose and the loop shadow around the side of the nose. I have also been heavily influenced by the way in which Rembrandt captured light in his paintings and I tried to replicate this with lighting one side of the models face, with the other side in shadow but still showing their facial features. I also tried to capture the hair swoosh as she turned her head quickly from right to left which lifted her hair into the air. The model was lit from behind creating a halo effect which catches her hair and a small light slightly to the left of the face of the model. I used a soft box in each of the photos to disperse the light the face evenly without creating unflattering light and shadows on the models face. I also used reflectors to bounce light back onto areas of the models face that wasn’t lit by a strobe light. I also enjoyed using a snoot to use harsh direct light to top of the models head lighting the hair and the side of her face.

Harrogate Lifestyle Apartments – Limited Edition Prints

I was commissioned by Jessica Lister Guest Relations, Sales and Marketing Manager for Harrogate Lifestyle Apartments to photograph their newly refurbished apartments as well as 5 limited edition photos of Harrogate for their apartment reception. Each of the photos were 34″ x 26″ gigclee prints with frames that were gallery standard. I chose the grey border to the frame to match the carpet and staircase where the photos would be displayed for all of the guests to see and enjoy.

This project took a lot of planning in order to deliver the specification for Harrogate Lifestyle Apartments. I initially struggled to limit the photos to five as over the years I have taken 100’s of photos of the Harrogate area. I researched professional giclee printers with such a big print size as most printers on the high street stop at 20 inches. I also wanted to source a great framer to be able to showcase my work to the highest standard. Just Images provided a brilliant service that I have used time and time again as he is so skilled and knowledgable. These images look incredible framed and hanging on the wall and can still be purchased, I have a limited number left. Please get in touch if you’re interested to order your very own limited edition print.

Foo Fighters GB – The Venue Selby 2017

Foo Fighters GB is a Foo Fighters tribute established by Foo fans that decided they would be able to work hard and become the best.

The aim of this band is simple – to rock hard at every gig, give the crowd the best time possible and keep on paying honest tribute to the best live rock band on the planet, the Foo Fighters!

Lead singer Dave Grol Lookalike has captured every detail of the original Grol including tattoos to match. Foo Fighters GB are a genuinely talented cover band and well worth a watch. They are a band at the top of their game and they aren’t just any cover band as they live and breathe Foo Fighters.

Glow Worm Festival – Clumber Park 2016

Richard Clark of Harrogate Photography hit the road again to a great family festival at Clumber Park in Nottinghamshire. The two day event was organised by Gloworm Festival 2016 with plenty of child friendly entertainment in marquees. There were plenty of food stalls to suit every one’s tastes. I certainly sampled some great food, ice cream and a cheeky real ale! On the Ikea Stage William Robinson – I’m Not From London provided some amazing music that entertained the crowds through the rain and sunshine. There are a selection of photos below with the headliners Dick & Dom.

Here are Seas of Mirth before their gig, relaxing backstage and enjoying the sun while it’s out.

The Sex Pistols Experience – The Venue Selby

There are thousands of tribute bands around and there are many Sex Pistols Tribute bands but none get close to The Sex Pistols Experience. It is all about the experience when they put on a show as they have stage presence, attitude and talent in abundance.

Lead Singer Jonny Rotter is Rotten to the core with his manic possessed performance and armed with an intense stare and a tonne of one liners.

Kid Vicious has the looks and the charisma of original Sid Vicious, with the hair style, stance with his guitar and his jumps on stage. A lesson I learned was, don’t get too close to the guitar, he swings it wildly!

Steve Clones wearing tight leather leather jean and has his Gibson slung low in trademark style. Clones certainly knows how to turn up and turn on the performance throughout the show.

Paul Crook can be found is the power house driving the show from the pounding drum kit. Always late, but never missing a beat! Crook can be found sat proudly behind the Union Jack drum kit flying the flag for the Sex Pistols Experience.

The Sex Pistols Experience have toured the UK extensively since their arrival onto the tribute scene in 2001 and have travelled the world touring Europe, America, Australia, New Zealand entertaining fans wherever they go. The Sex Pistols Experience performed to more than 20,000 people at a Slovakian festival which goes to show why they are simply the best Sex Pistols Tribute band.

Whiskey Stain – Promo Shoot 2016

It is always a pleasure to be asked to photograph musicians for promotional shoots. Whiskey Stain are accelerating at great speed with their career as they have five consecutive releases on BBC Introducing, they were scouted for Y Not Festival, Deer Stock Festival as well as having a sound track to Sky Atlantic hit series Ray Donovan. Whiskey Stain have left a long trail of venues and festivals in their wake and numerous heavy hitting EPs and singles.

Whiskey stain have huge sonic presence, energetic performances with their unique mix of blues drenched with dance filled beats. Like the band name suggests their sound is notoriously filthy, distilled to perfection, with a rugged and fierce edge to their sound and performance.

For this photoshoot, I scouted an area of Nottingham called Hockley where there were plenty of buildings and architecture that suited their rugged persona. Luke and Rob were naturals in front of the camera and they were happy to follow my direction. I found a wall backdrop with great texture that would convert into black and white (Photo below, top left). I asked Luke and Rob to stand by the wall and I composed their expressions and body language to match their surroundings. I used off camera flash to the right and slightly above their heads. This lit their faces as well as the wall to bring out some of the texture. This shot taken was chosen for their EP Release and is still used for promoting the band.